Exhibitions

This is the year of Vasarely! After a show of his paintings at the Stadel Museum in Frankfurt from September 2018 to January 2019, to which we contributed works, another Vasarely exhibition is currently underway at the Pompidou Center in Paris.

We are featuring works by Hungarian artist Victor Vasarely (1906–1997), echoing the ongoing shows at our gallery and the Pompidou Center (to which we lent works). Another part of the stand will reflect our January show of Sole Sisters, devoted to the works of Ode Bertrand, Marcelle Cahn (1895–1981), Isabelle de Gouyon Matignon, and Aurelie Nemours (1910–2005). The catalogue raisonné of Nemours’ paintings in oil and in vinyl, edited by Serge Lemoine, has just been published, and to celebrate the event we will organize a signing of copies on our stand in presence of Serge Lemoine.

The worlds of Vasarely are many, reflecting the diversity of visual experiences that inspire them. Their common denominator is that they all take observation as their starting point. Only scale varies: for Vasarely, abstraction is simply the consequence of adjusting perception to different levels of reality. In 1945, he created a series of collages using shapes cut out from microphotographs. Here in lies one of the keys to his approach to abstraction—it is less a matter of breaking the ties with nature than of seeking out new forms from deep within what he called nature’s "internal geometry." In this way, the world of cells and crystals opened up to him.

The exhibition who opened in Barcelona at the Pedrera, finds a stop at the MACA of Alicante,

Discover the first major French retrospective devoted to Victor Vasarely. Explore the "Vasarely continent" with three hundred works, objects and documents.

“Neither my studies, my work, nor my life was influenced by painting of any sort. I was too removed from the experiments of the time. I kept going deeper into my solitude.” Thus wrote Aurelie Nemours to me in November 2005. A few weeks later she died. Should this comment be taken as words written on the brink of life, or understood as the path taken by every artist—and perhaps every human being? The expression “go deeper into solitude” reminds us that Nemours was also a poet, even as it assumes a special meaning in this exhibition.

Let meet us again in 2019 for our exhibition ’Sole sisters’ four women in the geometric abstract art

L’exposició «Obres obertes. L’art en moviment, 1955-1975» reuneix una àmplia i acurada selecció d’obres de 37 artistes internacionals que busquen una transformació profunda del rol de l’espectador a través de la participació i la interacció amb l’obra d’art.És una de les últimes avantguardes artístiques del segle XX, però és més vigent que mai. És el cinetisme o l’art del moviment.

This exhibition where we are lending works will be more about the progression of Vasarely’s painting. It will analyses his researches through

When Dewasne discovered the model for the construction of the Centre Pompidou in Paris in 1970 in the company of Mr Bordas, Germain Viatte and the architects Renzo Piano and Richard Rogers, he protested against the gray color envisaged to cover the building